When: Friday, January 27th 2016, 6pm
Where: The Williamson Tunnels, Liverpool
Skeptics! Chris French is coming to Liverpool to help deliver GHost Hosting 17, part of FACT’s “No Such Thing As Gravity” exhibition.
This is not an MSS event, but we expect many Skeptics to be interested in coming along. It is free to attend, but requires registration: https://
If you fancy joining us, register yourself and we’ll meet up at the Williamson Tunnels shortly beforehand at 6pm.
What makes a ghost? GHost is a visual arts and creative research project which explores the nature of ghosts both metaphorically and practically in its activities. Serving as a supporting platform (or host) GHost aims to enable invited guests to visually and conceptually manifest and interrogate the idea of the ghost. The project takes its title from a work by Marcel Duchamp: “A GUEST + A HOST = A GHOST” Marcel Duchamp (1953).
For GHost Hosting 17, No Such Thing As Gravity artist Sarah Sparkes continues this programme of research seminars with an interdisciplinary seminar and performance event exploring the concept of ‘a formula for ghost making’, focused around faith, belief, and religious practice. How do spirits and ghosts contribute to or affect different religions and beliefs? How are practices used to embody, evoke or communicate these notions?
Sparkes will be joined by Professor Chris French, professor of Psychology and founder of the Anomalistic Psychology Research Unit (APRU) at Goldsmiths, specialising in the psychology of paranormal beliefs and experiences, cognition and emotion; and by Christian Weaver, a specialist in ethnomusicology and musician, composer and practitioner of ritual drumming. Artist Birgitta Hosea will also present Medium, a site-specific performance in which the artist takes the role of a techno-medium.
You’ll also have a chance to explore the Williamson Tunnels, and discover the other end of the GHost Portal that you might have already seen in FACT.
A new commission for FACT and the Williamson Tunnels Heritage Centre, in association with National Museums Liverpool. The project has been supported using public funding by the National Lottery through Arts Council England.